Cranes Fighting in the Snow


2024
Morphit, aluminium, wood, silicone, steel, lacquer
Still life photographs by John Moore
Model photographs by David Myers

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An exploration in form, material, and transformation

Introducing Morphit

In 2022, I began an ongoing period of research and development to create a new composite material for my work. I call it Morphit. It combines recycled paper fibre with artist-quality pigments and other conservation-grade ingredients to form a clay-like substance that can be sculpted when wet and carved when dry.

Cranes Fighting in the Snow is the first piece I’ve made using this new material.

Making the Work

I build areas of pattern by inlaying different colours, similar to the technique of marquetry. Finer details are added by carving into the surface and inlaying wet clay, which I later sand back to a smooth finish once dry. A clear lacquer protects each segment, which I assemble along a silicone extrusion.

A Shift in Aesthetic

The development of Morphit came from a desire to achieve a softer, more organic aesthetic in my work. Earlier pieces like Pagoda I and Pagoda II were made from sheet aluminium and have a highly engineered, metallic feel. In contrast, Cranes Fighting in the Snow has a more bone-like quality — closer in texture to the scales of pangolin that inspire my work.

Exhibition and Recognition

I’m incredibly grateful to Didier Ltd for their generous support in the making of Cranes Fighting in the Snow, and for giving the piece its debut at Treasure House Fair London 2024, where it appeared alongside works by artists such as Salvador Dalí, Max Ernst, and Picasso.

Documenting the Work

A huge thank you also goes to photographer David Myers for his stunning documentation of the piece. This shoot marked my first time modelling my own work — a memorable moment for me. One of the images was later selected for The Jewelry Book by Melanie Grant, published by Phaidon in 2025.

Jewellery Now: the curators’ edit

Cranes Fighting in the Snow featured in Jewellery Now: the curators’ edit at Ruthin Craft Centre in 2025, a landmark exhibition of cutting edge contemporary jewellery by UK based artists. It was also selected for the cover of the book published to accompany the exhibition. read more…

Pencil study of a pangolin tail by John Moore

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