About me
A love of making
As a child I was fascinated by nature and obsessed with making things, while also taking dance classes, acting and playing musical instruments. It wasn’t until my early thirties that I realised the common thread running through all of it. My favourite things to make were masks, puppets, kites and simple automata: objects that could either be worn or handled and brought to life through movement.
Throughout my education I explored many creative paths but I kept returning to making objects for the body. Jewellery naturally became the focus for the final year of my degree in 3D Design and has evolved into a lifelong practice. It’s how I process the world and express appreciation for the beauty I see around me, and for our existence within it. Whether small and understated or large and expressive, each piece carries a kind of charge — like a battery — intended to be felt as much as seen.
Process and materials
I work with a wide range of materials and processes, from the traditional to the experimental. I certainly have my favourites, particularly anodised aluminium for its light weight and decorative qualities, but I’m not married to any one material or process. Sometimes I’m inspired by the material itself and other times I’m led by the idea first, selecting appropriate materials for their unique properties.
Collaboration and cross-disciplinary work
As my work has grown more expressive it has naturally led to collaborations with artists, dancers, choreographers, filmmakers, musicians, photographers and other craftspeople. These exchanges have broadened my creative horizons in ways I never imagined - deepening my relationship to the work and showing me the power it can yield — not just as adornment, but as something transformative, alive and spiritually connective.
For me, the success of any collaboration depends on chemistry and a shared appetite for exploration. I don’t believe anything genuinely new is born from sameness. The most rewarding projects tend to exist at the edges, where practices overlap, stretch, and subtly reshape one another.
If my work resonates with you, I’d love to hear from you.
Let’s see what might unfold.
-
The Goldsmiths’ Company Award. Goldsmiths’ Craft & Design Awards 2019
IJL Gold Award for Silver Jewellery. Goldsmiths’ Craft & Design Awards 2019
The Goldsmiths' Company Award. Goldsmiths’ Craft & Design Awards 2016
IJL Gold Award for Silver Jewellery. Goldsmiths’ Craft & Design Awards 2016
Silver Award for Silver Jewellery, sponsored by Brown and Newirth. Goldsmiths’ Craft & Design Awards 2016
IJL Editor's Choice Award for Technical Excellence. International Jewellery London 2016
WCC Europe EUNIQUE Award 2011. World Crafts Council
Finalist for Young Designer of the Year 2011
Kayman Award 2008 - National Association of Jewellery (formerly the British Jewellers Association - BJA)
-
From Function to Fantasy: The Brooch
Wartski London
2025Jewellery Now: the curators’ edit
Ruthin Craft Centre
2025April : A Lady in Hay
Hay Castle
2024Through The Garden Gate
Shanghai Deqiu Cultural and Creative Park
2023Force of Nature
Elisabetta Cipriani Gallery
2021 -
Design Miami
Salon New York
Goldsmiths’ Fair
SOFA Chicago
MIART Milan
PAD Monaco
PAD London
Masterpiece London
Treasure House London
Eunique Karlsruhe
Sieraad Amsterdam
Origin -
The Mint Museum, Charlotte, North Carolina, USA
The Nelson-Atkins Museum of Art, Kansas City, Missouri, USA
Spencer Museum of Art, Lawrence, Kansas, USA
National Glass Centre, Sunderland, UK
-
Tiqui Atencio
Solange Thierry de Saint Rapt
Tuan Lee
Olnick Spanu Collection
Lady Helen Hamlyn
Rosa Monkton
Robert Hiller
Dr Sarah Siegler
Suzanne Sanders
Katherine Purcell (Wartski, London)
-
Ambassador for Forests Without Frontiers
Former advisor to the ACJ - Association for Contemporary Jewellery
Judging for the Goldsmiths’ Craft & Design Council
-
BAJ Podcast
December 6th 2024
John Moore in conversation with Sofie Boons about Jewellery and performance.The Jewelry Journey Podcast - John Moore in conversation with the late Sharon Berman.
‘All That Glitters’ webinar hosted by Initiatives in Art and Culture. A conversation with Robert Lee Morris, Melanie Grant, John Moore and Lisa Koenigsberg.
-
My mother, my Nanna and two year old me
James Maskrey and I blowing glass in Sunderland - view project
Me giving direction to dancer Nancy Osbaldeston during the shoot for ‘A World Away’ - view project
Created by www.underdog.studio